Posted on Leave a comment

The Lavender Hill Mob – Richmond Theatre

🎭 The Lavender Hill Mob
📍 Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐⭐

Coined as one of the ‘greatest British comedy films’, The Lavender Hill Mob headed to Richmond Theatre for an all-new stage adaption.

Olivier-nominated playwright Phil Porter adapted the Ealing comedy classic, alongside Tony and Olivier-nominated director, Jeremy Sams.

The funny, fast-paced comedy tells the story of Henry Holland, an ordinary bank clerk who dreams of stealing the van of gold bullion he drives daily across London. Upon discovering that his new lodger is making Eiffel Tower paperweights out of lead, Henry devises a plan to make his dream a reality. It’s a golden opportunity for a crime of the century!

The show begins at a New Year’s Eve party in Rio, as party guests and staff prepare for the countdown. The guests are paid a visit from Farrow (Guy Burgess) a ‘film director’ and relish the opportunity to re-enact the infamous ‘Lavender Hill Heist’ for him.

Actor and comedian, Miles Jupp and Justin Edwards play Henry Holland and Pendlebury, the unsuspecting criminal duo. With Pendlebury’s skills in moulding Eiffel Tower and a comical ‘gang recruitment’, Holland’s plan to steal the gold is underway. Though the characters remain in Rio, their storytelling transports us to 1950s London, Dover, and parts of France.

Photo by Hugo Glendinning

The rest of the multitalented cast (Tessa Churchard, John Dougall, Victoria Blunt, Tim Sutton, and Aamira Challenger) were onstage for the entirety of the play, switching between various characters. The play may be a chaotic heist, with the cast constantly sprinting around the stage, but the staging and direction were executed so well that their moves appeared seamless.

Mark Henderson, the recipient of multiple Oliver Awards, did some incredible work with the lighting design. For instance, the cascading orange lights whenever the gold bullion appeared were genius as were the timing of the lights during significant moments. I admired Francis O’Connor’s simple staging and the use of props to accompany the story. Silver trays as steering wheels and palm trees to replicate the Eiffel Tower.

Photo by Hugo Glendinning

There were a few inside jokes that I was not familiar with as I had not watched the film. Act two was stronger; the comedy picked up and we were introduced to further multi-roleplaying. From French taxi drivers to school children to police officers – and a lot more silver-tray steering wheeled car chases! As a result, the play became fast-paced yet we never lost track of the story. Jupps and Edwards perform well as our criminal double act. The whole cast has an amazing stage presence, each shining in their roles. I enjoyed the delivery of the jokes and puns, particularly Sir Horace (Dougall) who had such natural humour.

My favourite scene was the amusing pursuit across London. As our delinquent duo race across the capital, the supporting characters hilariously recreate moments in history and reference iconic landmarks – one reference had the audience howling from laughter. In addition, the video projection with a moving map of London was a nice touch.

Guy Burgess (Farrow) and Miles Jupp (Henry Holland)
Photo by Hugo Glendinning

This stage play was strong in its delivery and interpretation, bringing the story to life. With intricate details, from the way the lighting shone on the cast to how the music aligned with the animated steps – I loved it!

The Lavender Hill Mob is a fun comedy play suitable for all ages and even those who may not be familiar with the original film. The cast performs flawlessly, with great comedic timing and a ton of puns!  

You can catch this play at Richmond Theatre until Saturday 19th November before it continues its tour! Tickets are available here.

Posted on Leave a comment

Ikaria – Old Red Lion Theatre

🎭 Ikaria
📍 Old Red Lion Theatre
đŸŽ« PR invite

⭐⭐⭐⭐

Philippa Lawford’s new play, Ikaria, is a captivating and deeply moving portrayal of mental health. The play also depicts young love and finding salvation in others.

Simon (James Wilbraham), a third-year Classics student, returns to university having taken a year out. He meets a first-year English student, Mia (Amaia Naima Aguinaga), and the pair soon become an item. The couple attracts one another, despite their differences. Simon comes from a wealthy family and is privately educated, whereas Mia attended a state school and expressed not knowing her father. Mia ambitiously seeks work experience and begins working as an Editor for the university paper. Whilst Simon struggles to write a Dissertation proposal, missing numerous deadlines. Taking place entirely in Simon’s dorm room, I felt transported back to my university days as the set so accurately resembled student halls. 

Amaia Naima Aguinaga (Mia) and James Wilbraham (Simon)
Photo by Tristram Kenton

Aguinaga and Wilbraham deliver the most authentic performances. From amusing moments to tender moments, the dialogue is very natural! I enjoyed watching Simon and Mia’s relationship, performed with excellent chemistry from the cast.

My favourite scene was Simon telling Mia about the Greek island, Ikaria, where people live until 100 years old. As they embrace, envisioning their lives in this utopia, it felt so pure. The audience is fully immersed in the character’s relationship, especially as we see their highs and lows. Lawford’s writing is flawless, and there is the right balance of humour, which does not take away from the serious themes. 

As the semester goes on, Simon’s old habits creep in; an untidy room, avoiding emails and excessive Deliveroo orders. Ikaria is strong in its depiction of depression and the varying ways it can manifest in our everyday lives. The ways it can go unnoticed. The ways in which people may say they are fine but are experiencing so much pain.

James Wilbraham (Simon)
Photo by Tristram Kenton

Lawford’s direction is impressive, and they have shown an honest representation of men’s mental health. Shane Gill’s lighting also does well to showcase the shifting moods. I did note that some transitions could have been smoother to show the change of scene. 

Wilbraham’s performance is powerful, and they brilliantly play Simon, expressing anguish and guilt in scenes that are tragic to watch. I appreciated seeing how Aguinaga displayed a range of emotions in their role as Mia. Aguinaga was convincing as the bright-eyed and enthusiastic student to then being the concerned and compassionate partner. The scenes of silence spoke volumes as we witnessed Simon’s heart-breaking ordeal.

I was grateful for the appropriate gesture from the theatre, as they had placed notes on the seats, with a list of resources for those affected by the themes explored in the play.

With a great cast, fascinating writing, and direction, Ikaria is an important play. Its portrayal of mental health is profound and unlike anything I have seen. Phillipa Lawford has made a raw, beautiful piece of theatre – I cannot wait for what they do next!

Ikaria is showing at Old Red Lion Theatre until 19th November – you can get tickets here.

If you are affected by the themes in this play, concerned about your health or a loved one, here is some information you may find useful:

Campaign Against Living Miserably (CALM)
📞 0800 58 58 58
CALM website

Papyrus – for people under 35
📞 0800 068 41 41
đŸ“± Text 07860 039967
📧 pat@papyrus-uk.org
Papyrus website

Samartians
📞 116 123
đŸ“± Text SHOUT to 852558
📧 jo@samaritans.org
Samaritans website

📞 NHS ‘111