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HEADLONG ANNOUNCE PRINCIPAL CAST & CREATIVES FOR THE UPCOMING UK TOUR OF AUGUST WILSON’S ‘FENCES’

A BRAND-NEW PRODUCTION OF AUGUST WILSON’S FENCES DIRECTED BY DANIEL BAILEY WILL TOUR THE UK FROM SEPTEMBER CO-PRODUCED WITH LEEDS PLAYHOUSE, LYRIC HAMMERSMITH THEATRE & HOME MANCHESTER.

Pioneering theatre company Headlong have announced today the first details of cast for their brand new production of August Wilson’s Fences, touring the UK this autumn. The principal cast will include Ray Fearon (Othello- RSC, Fleabag – BBC, Coronation Street – ITV) as Troy, Madeline Appiah (In the Long Run – Sky, The Winter’s Tale – RSC, Tina Turner The Musical – West End) as Rose, Michael Ahomka-Lindsay (Choir Boy – Theatre Royal Stratford East & Bristol Old Vic, Cabaret – Kit Kat Club, Playhouse Theatre) as Lyons and Josh Tedeku (Boarders – BBC, Supacell – Netflix) as Cory.

Fences will be directed by award-winning director Daniel Bailey (Red Pitch), with Aundrea Fudge (Voice and Dialect) and Amber Ruby (Associate Director) also in the creative team. It is a co-production with Leeds Playhouse, Lyric Hammersmith Theatre and HOME Manchester, marking the first major revival in over a decade of this American blockbuster.

Fences will open at Leeds Playhouse from Friday 11 – Saturday 26 September, before touring to Headlong Associate Partner Oxford Playhouse (Wed 30 Sep – Sat 3 Oct), Lyric Hammersmith Theatre (Tue 6 – Sat 31 Oct), HOME Manchester (Tue 3 – Sat 7 Nov), and Nottingham Playhouse (Tue 10 – Sat 14 Nov).

Ray Fearon said: “I’m so excited to be part of Fences. August Wilson is one of the greatest playwrights of the 20th century, I’ve always been drawn to his writing. Troy is such a rich, complex character, and it’s a real joy to get the chance to play him. Fences is one of those plays which stays with you, it captures a powerful honesty about pride, dreams and missed opportunities which resonates deeply. I’m really looking forward to getting into the room with Daniel Bailey and this company and sharing it with audiences across the UK, especially alongside the brilliant Madeline Appiah.

Madeline Appiah added: “Anyone who knows me will know what this moment means to me. I first discovered Fences in drama school and fell in love with it and with the role of Rose. The chance to now play her is truly a dream. I’m so excited to get working on Daniel Bailey’s exciting vision for this powerful piece. Daniel is one of the most important directors of our time and I am thrilled to be working with him. I can’t wait to get into rehearsals with this incredible company and unlock and explore the many themes and layers of this play.”

The creative team for Fences includes Set & Costume Designer Lily Arnold, Composer and Sound Designer Khalil Madovi, Lighting Designer Jai Morjaria, Movement Director Shelley Maxwell, Fight Director Kev McCurdy, Design Associate Emily King, Casting Director Heather Basten CDG, Voice and Dialect Aundrea Fudge and Associate Director Amber Ruby.

Director Daniel Bailey said: “It’s a proper privilege to welcome Ray, Madeline, Michael and Josh to the Fences Family. I can’t wait to realise this shows hidden gems with artists right at the top of their game. I’ve watched them enchant audiences and now we have the opportunity to do that together.”

From August Wilson, one of one of America’s most influential 20th century writers, this landmark play is a story of ambition for our time, exploring ever-present themes including masculinity, motherhood, music and the abiding hope for a different future. Troy Maxson has cheated death once, but the past keeps closing in. On Pittsburgh’s streets, he cracks jokes and spins stories, yet at home, the pressure is building. His wife, Rose holds the family together. She sees a changing world and hopes their son Cory might step into it with more freedom than Troy ever had. But when dreams collide, and tempers flare, the Maxson’s edge towards a reckoning that could reshape everything they know.

Lisa Maguire of Headlong said: “It means so much to be putting August Wilson’s work front and centre for audiences across the country. This extraordinary play encompasses so much of what drives us at Headlong – breathing new life into work that deserves its place in the canon, whilst asking our audiences to think and feel deeply about the world we share. 

Despite being written over 40 years ago, the central themes are still all too resonant today. From the streets of Pittsburgh to our own backyard here in the UK – how much can we say has really changed? We’re thrilled to be working with Daniel on his take on this classic.”

Headlong and Leeds Playhouse have forged a highly successful Associate Partnership during Holly Race Roughan’s tenure, collaborating on a string of critically acclaimed productions including Henry V, The House Party, A Raisin in the Sun, A Midsummer Night’s Dream and August Wilson’s Jitney. This production also sees Headlong and Leeds Playhouse reuniting with long-term collaborators the Lyric Hammersmith Theatre after their joint success in 2024 of A Raisin in the Sun, and with HOME in Manchester after their hit The House Party. Headlong will also be returning to their Associate Partner Oxford Playhouse, with their third major touring show at Oxford Playhouse since Headlong relocated to the city.

For more information and tickets, visit headlong.co.uk.

This production is generously supported by Charles Holloway OBE.

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LESLIE ODOM, JR. to perform solo concert at London Palladium

TONY & GRAMMY-WINNING ARTIST 

LESLIE ODOM, JR.

TO PERFORM SOLO CONCERT AT 

LONDON PALLADIUM

ON SATURDAY 31 OCTOBER 2026, 7.30PM

TICKETS ON SALE 12 JUNE

Producers Darren Bell and Cuffe & Taylor are thrilled to announce that Tony and Grammy Award-winning artist and one of today’s most celebrated performers, LESLIE ODOM, JR. will perform live in concert at the London Palladium on Saturday 31 October 2026 at 7.30pm. Tickets on sale 12 June 2026. 

LESLIE ODOM, JR. brings his extraordinary voice, magnetic stage presence, and genre-spanning artistry to the stage for an evening of music that is soulful, sophisticated, and deeply moving. This captivating concert features selections from the American Songbook, reimagined pop favourites, and beloved musical theatre classics — including special performances of songs from Hamilton, the Broadway phenomenon that earned Odom a Tony Award for his iconic portrayal of Aaron Burr.

With his signature charm, stunning vocals, and heartfelt storytelling, Leslie Odom, Jr. creates a live experience that is intimate, inspiring, and unforgettable.

LESLIE ODOM, JR. is a Tony and Grammy Award-winning, three-time Emmy Award nominee, two-time Academy Award nominee, acclaimed songwriter, actor, producer, and New York Times bestselling author whose work continues to span Broadway, film, television, music, and publishing.

Best known for his groundbreaking portrayal of Aaron Burr in the Pulitzer Prize-winning Broadway phenomenon Hamilton, Odom made a highly anticipated return to the role in September 2025, nine years after his original departure from the production. His limited engagement became a major cultural and commercial event, helping Hamilton achieve the highest-grossing performances in the show’s ten-year Broadway history.

Odom’s celebrated return to Broadway first began in 2023 with the critically acclaimed revival of Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch by legendary playwright Ossie Davis, which he produced alongside Nicolette Robinson and producer Jeffrey Richards. The production opened to widespread acclaim, earning six Tony Award nominations and one win, while Odom himself received a Tony nomination for his performance. The production was later recorded and broadcast nationally as part of Great Performances on PBS.

Across film and television, Odom has continued to deliver standout performances, most notably as legendary soul singer Sam Cooke in One Night in Miami…, directed by Regina King. His acclaimed performance, alongside the original song “Speak Now,” earned widespread recognition and multiple award nominations.

His extensive screen credits also include Glass Onion: A Knives Out Mystery for Netflix, directed by Rian Johnson; The Many Saints of Newark, the feature prequel to HBO’s The SopranosCentral ParkHamiltonon Disney+; The Tony Awards Present: Broadway’s Back! on CBS; Abbott ElementaryThe Proud Family: Louder and Prouder; and Harriet, among many others.

Beyond the stage and screen, Odom is also a bestselling author. His first book, Failing Up: How to Take Risks, Aim Higher and Never Stop Learning, was released in 2018 and later published in paperback in 2025. In 2023, Odom and Nicolette Robinson co-authored the children’s book I Love You More Than You’ll Ever Know, which debuted at No. 7 on the New York Times bestseller list. 

Odom has released six full-length albums. His sixth and first-ever live album, An Offering: Live at Speakeasy Studios, was released on October 17, 2025.

LISTINGS INFORMATION 

LESLIE ODOM, JR. in Concert 

Saturday 31 October 2026, 7.30pm 

London Palladium

8 Argyll St

London 

W1F 7TF

To book: https://lwtheatres.co.uk/whats-on


Instagram: @leslieodomjr/ @darrenbellproductions/ @cuffeandtaylor

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REVIEW: The P Word – Bush Theatre

🎭 The P Word
📍Bush Theatre
🎟️ Gifted
⭐⭐⭐⭐⭐

Waleed Akhtar’s Olivier Award-winning play returns to the Bush Theatre after four years – and it’s just as powerful as I remember.

The P Word follows two gay Pakistani men as their worlds collide. We meet Zafar (Esh Alladi), a gay man who flees homophobic persecution in Pakistan after his boyfriend is tragically murdered. Ahktar performs as Bilal (though he prefers Billy!), a Pakistani-Londoner who spends his time at the gym and constantly swiping on apps for hook-ups, mostly with white men.

Directed by Anthony Simpson-Pike, the production draws upon Bilal and Zafar’s parallel lives. As the characters narrate their journeys directly to the audience, Max John’s set design wonderfully portrays their separate lives, with a split circular stage. Zafar shares the harrowing experiences he faced back home, his estranged family, and the reality of the UK’s hostile asylum system. Bilal, meanwhile, boasts about the men he gets with, though we learn he’s never had a long-term relationship and hints at an internalised shame.

Photo by Craig Fuller

We’re at a nightclub during Pride, where Zafar is attempting to integrate into the LGBTQ+ community, while Bilal is partying and getting drunk with colleagues. The pair have an awkward encounter that leads to an unexpected yet endearing end to their night. From this point on, we watch their friendship blossom. Bilal takes Zafar sightseeing around London, exhibitions, and cinemas, while Zafar crafts handmade items for Bilal and reintroduces him to his love of Bollywood dramas. At just 90 minutes, the play explores themes like homophobia, racism, love and identity. The pair seem more similar than they think; both open up about family, religion, being queer and Pakistani.

Akhtar’s writing is incredibly witty, with dialogue that feels so authentic, paired with the engaging performances from Ahktar and Alladi. I loved the banter between them, especially during the scenes where Bilal teaches Zafar modern slang. Akhtar performs Bilal with humour, charisma and a ‘tough-guy’ bravado. He uses self-deprecating humour about his own culture, often using derogatory terms, alluding to a sense of insecurity.

Photo by Craig Fuller

Alladi is a wonderful storyteller, delivering a performance packed with real emotion. He carries the weight of trauma and grief, and yet remains warm, hopeful, and completely selfless. It is genuinely both moving and heartbreaking to watch. Together, Alladi and Akhtar are outstanding, with magnetic chemistry and a natural stage presence. The production draws you in, and I found myself emotionally invested in their beautiful relationship. There are plenty of hilarious moments, with the duo showcasing their brilliant comedic timing. I also appreciated the balance of the quieter, more vulnerable moments. Elliot Grigg’s lighting design makes subtle transitions to evoke the tonal shifts. Throughout the play, we are reminded of the difficult experiences queer asylum seekers face. The story remains pertinent, and I noticed the script has had small updates, with scene and dialogue changes, reflecting recent events and the overall state of our society.

Photo by Craig Fuller

While I appreciated the pace of Bilal and Zafar’s friendship developing into something more, I found myself hoping there had been more time to explore their romantic relationship. Nonetheless, it was still beautiful to watch their connection grow! The play acknowledges that there isn’t always a happy, rom-com-style ending, highlighting that not all LGBTQ+ asylum seekers have the same opportunities as Zafar.

Overall, The P Word is captivating! It remains a powerful, thought-provoking, heartfelt and real play. I am so happy it’s back on stage. I left with goosebumps, grateful to have watched this brilliant cast & creative team share an important story about the realities LGBTQ+ asylum seekers face. You will laugh, you may even cry, but you will leave feeling moved.

The P Word is playing at Bush Theare until 27 June