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REVIEW: Shifters – Bush Theatre

🎭 Shifters
📍 Bush Theatre
🎟️ PR invite
⭐⭐⭐⭐

Bush Theatre continue impress with their latest production from Benedict Lombe. 

‘Shifters’ is a beautiful and honest, exploration of young love, memory, and destiny. We meet Destiny and Dream (Heather Agyepong and Tosin Cole), childhood friends who reconnect after years apart. Now, aged 32, Des and Dre are living the dream in their respective careers. But a tragedy brings them together for the first in 8 years, and the memories come flooding back. The play shifts between pivotal moments in Des and Dre’s lives – from the moment they met at 16 in debate class to the challenges they faced in adulthood.

Written by Benedict Lombe, winner of the Susan Smith Blackburn Prize for Playwriting, the play is authentic, and poetic as it delves into the complexities of relationships. I adored how Lombe’s writing acknowledges the vulnerability we exude when it comes to love. Throughout this powerful two-hander, we watch Des and Dre navigate their friendship-turned-relationship, through affecting moments. 

Lombe sensitively incorporates the impact of grief and trauma on Des and Dre’s relationship, but also the heavy burden Des carries in regards to being a Black woman. This was something I and members of the audience audibly agreed on as Des emotionally described how society interacts with Black girls. 

The story makes us question whether the ‘right person, wrong time’ is true and if soulmates do exist (I believe they do!).

Photo by Craig Fuller

Tosin Cole and Heather Agyepong take to the stage with undeniable chemistry. The dialogue between them is pacy, and filled with playful jokes that double up as flirtatious. They banter about African parties, the school’s debate club, and Nigerian vs Congolese music. I found myself smiling numerous times at their exchanges and how real the performances were. My memorable moment was Des tending to Dre’s hair; this simple yet profoundly intimate moment beautifully showed the bond between the pair. That soft, playfulness remains even years after they last met. 

Agyepong’s Des is self-assured and full of sharp wit, while Cole is the epitome of cool, calm and collected, even in moments of sadness. Cole and Agyepong deliver the most captivating performances I’ve seen in a romantic play. Even during quieter moments, their passion speaks volumes. Directed by Lynette Linton, there is a playful energy between our two leads. The non-linear structure flows naturally, revealing layers of Des and Dre’s relationship with each passing year.

Photo by Craig Fuller

Alex Berry transforms the main space with a minimalist traverse staging, while Neil Austin’s stunning lighting illuminates the stage. The lighting is visually striking as we walk into the theatre and throughout the show, these lights effectively capture the shifting timelines in the story. The bold hues of greens and reds during Des and Dre’s youthful years, become dimmer as we move to present-day. I would have loved a solid conclusion to round off the story, but perhaps the ending was meant to be ambiguous.

The show is a powerful reminder of our experiences with long-term connections, and will leave audiences utterly moved. With stellar performances and evocative storytelling, Lombe’s play balances humour and heartbreaking scenes, and altogether is an authentic portrayal of young love. Shifters is another example of Bush Theatre continuing to share new, powerful and diverse stories!

Shifters plays at Bush Theatre until 30 March 2024.

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NEWS: ‘WHY AM I SO SINGLE?’ Toby Marlow & Lucy Moss’ new big fancy musical is heading to the West End.

From the multi-award-winning writers of SIX, Toby Marlow & Lucy Moss, comes their all-new,  highly anticipated second musical, WHY AM I SO SINGLE? This Big Fancy Musical follows two besties through the ups, and mostly downs, of their dating lives in the era of Tinder (and Bumble  and Grindr and Hinge and Feeld). This musical extravaganza about love, dating, friendship – and bees – explores the weird and wonderful hilariousness of being single.  

A celebration of friendship and love, WHY AM I SO SINGLE? asks how two super interesting,  super cool, super fun pals could possibly still be single?!? This extraordinary and totally unexplainable situation faced by our fabulous duo is made even more complicated by the fact that, on a completely unrelated note, they also need to find a really great topic for their next musical.  

Lead casting has been announced.  

Jo Foster (& Juliet; Just For One Day, West End;) will return from the show’s early workshop to  co-star in this epic musical for the ages. They will be seen alongside the newly cast Leesa Tulley

(SIX, UK Tour; Kin, Theatro Technis) as their bff. Together they will navigate the difficult modern  dating world and how to flirt with your Deliveroo driver, all with their best friend firmly by their  side. They are joined on stage by Noah Thomas (Everything Now, Netflix; Everybody’s Talking  About Jamie, West End). The ensemble casting is to be announced.  

Featuring epic pop and musical-inspired songs by the dynamic writing team of Marlow & Moss  (described by British Vogue as the ‘future of musical theatre’), and high-energy choreography by  Ellen Kane (Matilda the Musical, Working Title Films; Dear England, National Theatre/West  End), WHY AM I SO SINGLE? is set to dazzle the dating world this autumn.  

Toby Marlow and Lucy Moss comment, This is ultimately a musical about two friends, their  desire for love, and how they deal with loneliness. We hope people come away feeling super  uplifted. And we hope they text someone the second they leave the theatre saying ‘omigosh just  fyi i love you soooo much!!!!’ 

Box Office Tickets are available from £20 at www.whyamisosingle.com

Running Time: 2 hours 30 minutes (including an interval)
Age Guidance: 14+, contains adult themes and language Access https://thegarricktheatre.co.uk/your-visit/#tab-access 

Accessible Performances:
Saturday 21st September 2024 (Audio Described)
Friday 18th October 2024 (BSL interpreted) 
Saturday 25th January 2025 (Captioned)

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REVIEW: The Boy at the Back of the Class – Rose Theatre

🎭 The Boy at the Back of the Class
📍Rose Theatre
🎟️ PR invite
⭐⭐⭐⭐⭐

Onjali Raúf’’s award-winning children’s novel into a stage adaptation, The Boy at the Back of the Class makes its world premiere with a timely and moving story that resonates deeply.

The story

The story follows the journey of Ahmet, a nine-year-old boy fleeing a war-torn Syria who finds himself in a British school, separated from his parents. Ahmet sits in the empty chair at the back of the Year 5 class. He’s quiet and doesn’t speak fluent English, leaving the other children intrigued to know more about him. They invite Ahmet to play football, share Sherbet Lemon sweets and even write down questions to ask. 

When Ahmet’s classmate, Alexa, overhears some of the parents making rude comments about refugees and rejoicing over the country ‘closing the borders’, she and her friends, Josie, Michael and Tom, embark on a daring mission to reunite Ahmet with his family before times runs out. 

Narrated from the children’s perspective, we go on a funny, unexpected and heartwarming adventure. The Boy at the Back of the Class strikes the right balance between humour and heart and exemplifies the importance of friendship, kindness and hope. 

Photo by Manuel Harlan.

My thoughts

Adapted for the stage by Nick Ahad, The Boy at the Back of the Class is a timely and moving piece of theatre. Its powerful message resonates with audiences of all ages, reminding us of the profound impact of compassion in a world often divided by prejudices. The narrative being told from the nine-year-old’s point of view is a brilliant and engaging style of storytelling. We learn about the struggles Ahmet faced and the attitude towards refugees from his peers, teachers, and even the media. 

Farshid Rokey is strong in the role of Ahmet, as he embodies the apprehensive nature of a child adjusting to a new environment. Sasha Desouza-Willock wonderfully plays Alexa with inquisitiveness and confidence to help Ahmet. She is supported by Josie, Michael and Tom (Petra Joan-Athene, Abdul-Malik Janneh, Gordon Millar) as they prepare for their ‘A-Team’ style mission (ironically to the theme of 007!). 

Photo by Manuel Harlan.

Ryan Day and Giles Thomas’ lighting and sound design are slick and perfectly timed. Although I haven’t read the book, I imagine these creative choices have accurately brought the story to life, elevating this stage production even more. What I enjoyed is how the show encourages us to use our imagination. Monique Touko expertly directs the show, with playfulness and a captivating energy that immerses us in the children’s world. Paired with Kloé Dean’s movement direction, which sees the characters running around, doing roly poly’s and swinging off the set.

Lily Arnold’s set design cleverly mimics local landmarks and everyday British school scenes, creating a sense of familiarity and even nostalgia (the school apparatus!). The versatile set allows for seamless scene transitions too, transporting us from one location to another. I was also impressed with how the production incorporated basic props to elevate and portray certain scenes.

Photo by Manuel Harlan.

Similarly, there are strong performances from the ensemble as they flawlessly transition between characters; from children to parents to market sellers to even the Queen’s Guards. The talented cast performs an array of distinct, hilarious and diverse characters, who all play a part in Ahmet’s journey. While there was some hostility from the bullies at school and bigoted parents, there were also members of the community who showed care and willingness to support. These examples of empathy and solidarity are echoed throughout.

The show highlights the humanity of refugees through the character of Ahmet. His new friends realise they hold shared interests such as football and favourite foods, just like them. Between adventure and humour, lies a beautiful and important story – it’s hard not to get emotional! The determination and courage of the young characters, using their voices to support Ahmet is incredibly inspiring.

Photo by Manuel Harlan.

As part of Rose Theatre’s collaboration with the Children’s Theatre Partnership, the production is a powerful in raising awareness and engaging children in discussions of refugee rights.

The Boy at the Back of the Class encourages us to practice kindness and embrace differences. The show is for audiences of all ages and comes at a time when compassion is needed more than ever. It serves as a necessary reminder that everyone deserves a home. 

The Boy at the Back of the Class plays at Rose Theatre until 22 February 2024 before continuing on tour.