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REVIEW: The Color Purple – Sedos London

🎭 The Color Purple
📍Sedos
🎟️ Gifted
⭐⭐⭐⭐⭐

Sedos, London’s leading amateur theatre company, is breaking barriers with its latest production of The Color Purple, marking the first all-Black cast and creative team in its 119-year history. Directed by Tasha Msanide and backed by a talented team of cast and creatives, this production is a joyful celebration of Black creativity and representation in musical theatre.

The story

Based on Alice Walker’s Pulitzer Prize-winning novel, The Color Purple tells the story of Celie, an African-American woman who endures a life of suffering; including racism, abuse and the separation from her sister, Nettie. The challenges continue when Celie is married off to a domineering Mister who further torments her. Celie develops close relationships with women such as the confident & independent Sofia and glamorous singer, Shug Avery, who teach Celie valuable life lessons.

Photo by Ben Copping

The Color Purple delves into themes of resilience, self-discovery, queer love, and redemption while highlighting the enduring strength of women, and the power of community. Having only read the book, I eagerly anticipated what the musical adaptation would have in store – and it turned out to be one of the most powerful shows I have watched.

My thoughts

Set in the early 20th-century American South, the hair and costume design perfectly encapsulates this era, along with the musical genres. The music is a blend of blues, jazz, and gospel, perfectly capturing both the era and emotion of this story. There were powerful ballads and upbeat numbers like Shug Avery’s introductory number ‘Push Da Button’

Photo by Ben Copping

The staging made full use of the theatre’s intimate space and I was impressed with the seamless transitions between scenes. The direction and choreography were carefully thought out, adding fluidity to the storytelling and keeping it at a good pace.  Ruth Luckin’s atmospheric lighting heightened the show’s emotional impact, from the shadows evoking danger and isolation to the radiant purple hues that illuminated Celie during moments of hope. It was subtle yet a significant creative choice.

Photo by Ben Copping

Now, I must talk about the phenomenal cast! Their performances were the heart and soul of the production. It felt like we were watching a cast of seasoned professionals; the talent on that stage was astounding!  Their vocal prowess was unmatched—truly some of the finest I’ve heard in musical theatre. Afope Rachelle Ojomo delivered a standout performance in the role of Celie. Their breathtaking rendition of ‘I’m Here’ was a highlight of the show, with the audience immediately erupting into applause. Ojomo’s ability to act through song was fantastic – the performance was raw, genuine and, honestly, transformative – no notes!

 Alongside Ojomo, Josephine Bannerman stars as Nettie – I loved their voices together! Those beautiful, sisterly moments made their separation all the more heartbreaking. Shug Avery, played by Michaella Moore, was utterly charming. Moore embodied glamour and had the most charismatic stage presence! Moore also brought incredible depth to the character as we saw a more vulnerable Shug in Act 2.

Photo by Ben Copping

The lively ensemble also deserves recognition. The gossiping trio, (Marnette Renee Bennett, Zahra Jennings-Grant and Lashayah Alizè Byfield) had sensational vocals and sharp wit as they provided light-hearted narration throughout. Sofia (played brilliantly by Rinrè Olusola) and her husband Harpo (Dupri Mckoy) were a great duo with plenty of humour and romantic clashes (The Squeak v Sofia showdown had us cracking up!🤣)

Photo by Ben Copping

The show is not without its tough moments. The abuse and injustice the characters face for being Black is difficult to watch yet the production handles this with sensitivity and care.  

What truly stood out was the sense of camaraderie and community among the cast. There was an undeniable warmth and authenticity in their interactions, making the production feel alive! Sedos has achieved something remarkable with this production of The Color Purple. With fantastic performances, thoughtful direction and an abundance of energy, this was a moving and inspiring piece of theatre that I am grateful to have watched.

Congratulations to the entire cast & creative team! 💜

For more information about Sedos London, check out their website and upcoming productions here

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REVIEW: Carlos Acosta’s Nutcracker in Havana

🎭 Carlos Acosta’s Nutcracker in Havana
📍Richmond Theatre
🎟️ Gifted
⭐⭐⭐⭐

Carlos Acosta, renowned ballet choreographer, dancer and director, brings a fresh, fun and dynamic take on the festive classic, with a Cuban twist!

Nutcracker in Havana is a vibrant, exciting reimagining of Tchaikovsky’s ballet. The Cuban-born star has crafted a show, infused with lively Latin rhythms & dance styles, colourful costumes and Cuban culture. I wasn’t too familiar with The Nutcracker story, but this was a beautiful way to be introduced to it!

Photo by Johan Persson

It’s Christmas Eve in Havana, where we step into Clara’s modest home, where beer cans decorate the tree, and the season’s warmth matches the tropical heat.

When Clara receives a Nutcracker doll, she is whisked away on an extraordinary adventure to defeat the fearsome Mouse King and travel to the magical realm of the Sugar Plum Fairy, guided by her Nutcracker Prince.

Featuring brand-new choreography by Acosta himself, this dazzling production is performed by over 20 dancers from his acclaimed Cuban company, Acosta Danza. The storytelling was sublime! Act 1 sees Clara’s entire family take part in joyous celebrations, as they play, laugh and dance together. Nina Dunn’s video projections take us through the bustling Havana streets while the physical staging transforms from the family home to a grand mansion. Andrew Exeter’s atmospheric lighting add to the enchanting journey we are taken on.

Photo by Johan Persson

Tchaikovsky’s iconic score has been newly arranged by composer Pepe Gavilondo Peon. I enjoyed hearing the influences from the music of Havana including Guaracha and Conga rhythms and beats. The choreography also features notable Latin dance styles like Salsa, which I adored.

Another significant change is that the Nutcracker doll is now a Cuban soldier, also known as Mambi. Dressed in traditional clothing, we loved watching the dance sequences between the mambises and the Mouse King.  Act 2 is a delight as we arrive at the Land of the Sweets. The production still includes the classic moves as well as exciting additions. There are impressive acrobatics, a flamenco-inspired routine and the ever so graceful Waltz of Flowers. The costumes were impeccable – bright, colourful and covered with the most intricate details. We also marvel at the Sugar Plum Fairy’s pas de deux, performed beautifully by Lauretta Summerscales.

Photo by Johan Persson

The performances were magnificent – Clara (Laura Rodriguez) had the most youthful and energetic presence, while Raul Reinoso gave a striking rendition of the Russian Dance. I’m not a regular ballet-goer, so I did find myself preferring the Latin dance styles more than the traditional choreography. Nonetheless, I admired this production, and the unique elements Carlos Acosta brought to a classic show, all while paying homage to his Cuban heritage—it was beautiful to see.

Nutcracker in Havana is a charming, joyful and wonderful festive show for all! It’s currently on a UK tour and heading to Southbank Centre in December. Find out more here.

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REVIEW: Murder on the Orient Express – Richmond Theatre

🎭 Murder on the Orient Express 
📍Richmond Theatre
🎟️Gifted
⭐⭐⭐⭐

Agatha Christie’s classic crime story has arrived at Richmond Theatre, in Ken Ludwig’s stage adaptation. We are taken on a thrilling ride, brimming with suspense, in this murder mystery which keeps you guessing until the very end.

The story takes place on the luxurious Orient Express, where Detective Hercule Poirot must solve the murder of a passenger. With the train stalled by a snowdrift and all suspects trapped together, Poirot delves into each character’s secrets to unravel the truth.

The eerie atmosphere is heightened by the sinister sound & video design, that keeps tensions high. I loved the revolving set that offered glimpses into the character’s motives and provided much intrigue. The costumes perfectly embodied the 1930s glamour, while the train set design was visually striking! The scene transitions felt clunky and distracting at times, however, I still appreciated seeing the variety of locations.

Photo by Manuel Harlan

Michael Maloney delivers a fantastic performance as Poirot, balancing tension and wit. I most enjoyed how much emotion was displayed in Act 2. Maloney gives a riveting speech that leaves us on the edge of our seats. My other standouts included Helen Hubbard (Christine Kavanagh) whose comedic flair & interactions with Princess Dragomiroff (Debbie Chazen), were a highlight. Bob Barrett’s Monseir Bouc added lightness to the tense moments with his exuberant eagerness to solve the mystery! 

This production of Murder on the Orient Express delivers the most engaging experience and is a must-see for mystery lovers. It’s playing at Richmond Theatre, before continuing its U.K. tour!