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REVIEW: Duck Pond – Southbank Centre

🎭 Duck Pond
📍Southbank Centre
🎟️ Gifted
⭐⭐⭐⭐⭐

Fancy a unique twist on Swan Lake? Duck Pond is a dazzling fusion of ballet and world-class circus that promises an unforgettable evening for all!

Directed by Yaron Lifschitz, CEO and director of Circa, Duck Pond is a joyful and exhilarating reimagining of the classic ballet.

Performed by an award-winning Australian-based performing arts company, Circa, the show brims with jaw-dropping stunts, breathtaking acrobatics, and playful comedy! I have watched Swan Lake before, but this interpretation was the most captivating performance I’ve ever seen.

Composer and sound designer Jethro Woodward redesigned Tchaikovsky’s iconic Swan Lake score with modern electronic bass beats, creating a thrilling atmosphere. This innovative score, especially during the lake scene, intensified those daring aerial and acrobatic acts, leaving the audience on the edge of their seats.

The performers acrobatic and aerial work is nothing short of impressive. Their movements are graceful and effortless, yet the show also embraces humour in unexpected ways. A standout scene features the performers dressed as cheeky yellow ducklings, complete with sequined socks, yellow visors, and mops. Through clever choreography, these ducklings hilariously engage in traditional circus acts—balancing mops, tumbling into piles, and forming a platform for the swan to delicately climb. It’s a testament to this incredible company’s creativity and skill.

Photo by Pia Johnson

Circa has toured the world with its creative circus shows and is renowned for blending movement, dance, theatre and circus. The fourth wall breaks added another layer of humour as well as their ode to musical theatre in that Chicago-style routine – it was genius and had the audience cheering! Another standout moment was during the second half where the performers contort their bodies to resemble swans – it was fascinating!

Telling the story of Swan Lake through circus acts is a bold and distinctive idea that works brilliantly. The storytelling is clear, structured, and utterly captivating. From the challenging acrobatics to the imaginative costumes to the playful interactions, every detail is intentional and true to the narrative, while adding their unique flair.

Photo by Pia Johnson

Duck Pond is a festive spectacle packed with extraordinary stunts. The show celebrates art, innovation, and sheer talent. It is playing at Southbank Centre until 30 December 2024!

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REVIEW: The Devil Wears Prada Musical – Dominion Theatre

🎭 The Devil Wears Prada Musical
📍Dominion Theatre
🎟️ Gifted
⭐⭐⭐

I attended the Gala Night performance of The Devil Wears Prada Musical, where an array of icons were in attendance including Elton John, Donatella Versace and Anna Wintour! It was an evening so stylish, that even Miranda Priestly might have cracked a smile.

The story

The stage adaption of Lauren Weisbeger’s book and the popular 2006 film starring Meryl Streep and Anne Hathaway, has been one of the most-anticipated shows of the year. With an original score by the legendary Elton John, lyrics by Shaina Taub & Mark Sonnenblick and a book by Kate Wetherhead, The Devil Wears Prada guarantees a fun evening at the theatre.

Photo by Matt Crockett

The story follows Andrea ‘Andy’  Sachs (Georgie Buckland), a recent college grad and aspiring journalist who is on the hunt for a job. Andy lands herself a role as an assistant at Runway, a prestigious fashion magazine despite having no interest in fashion! Her boss, Miranda Priestly (Vanessa Williams), is the ruthless editor-in-chief who pushes Andy to her limits as she struggles to balance her ambition, personal values, and the cut-throat fashion industry.

My thoughts

Directed and choreographed by Jerry Mitchell, the show is packed with upbeat songs, lively dance routines and the most extravagant costumes you’ll see on the West End. Visually, the show is marvellous! Tim Hatley’s scenic design shines, particularly in Act 2, where we are transported to Paris, with the sites of the Eiffel Tower, glittering in the background. There were also lavish runway moments, with the cast strutting through the aisles in extravagant gowns.

I wished the score was as exciting as the visuals. Some of the music fell flat, with lazy lyrics and forgettable melodies. Even the Act 1 finale song – despite its grand staging with bold red and black palettes – was mediocre. Most of the music had a disco-pop and eighties feel, with fun tracks like Emily’s ‘Runway’ and Nigel’s ‘Dress Yourself Up’. These were the standouts, particularly ‘Dress Yourself Up’ which brought energy and style, featuring fabulous choreography from the ensemble.

Photo by Matt Crockett

Florals for spring might not be groundbreaking, but the performances certainly were! Making her West End debut, Georgie Buckland stars as Andy Sachs, showcasing phenomenal vocals and riffs for days! While Amy Di Bartolomeo brings a unique portrayal of Emily, the first assistant to Miranda, which I loved! Her comic presence & the delivery of witty lines paired with her impressive vocals made her one of my favourite characters in the show. Her subplot with the Hot Nurse was also amusing, even if the song felt more like filler.

Photo by Matt Crockett

Another supporting character who stole the show was Matt Henry in the role of Miranda’s stylist, Nigel. Henry’s performance was fantastic, from his showstopping number ‘Dress Yourself Up’ to ‘Seen’, the heartfelt ballad about his journey at Runway. These supporting characters elevated the production and made fresh additions to the TDWP story, which I appreciated.

Vanessa Williams was iconic as Miranda Priestley, commanding the stage with style and gravitas. Her entrance was superb and so funny; rising dramatically from the depths of the stage—was nothing short of devilishly brilliant.  Williams portrayed a more empathetic Miranda Priestly than the film’s icy version. I much preferred this take on the character – it felt more nuanced and relatable. With all the music in this show, I wished for more big musical numbers from Miranda, which never quite materialised.

Photo by Matt Crockett

I must confess that I had not watched the film until days before I saw the musical! While I appreciated the production for staying true to the film, complete with iconic lines and references, it felt like this stage adaptation didn’t dig much deeper. I didn’t care much for the characters, and there seemed to be a lack of chemistry between them (particularly Andy and her partner Nate). As a result, Andy’s climactic decision lacked the emotional impact it deserved, especially with this more sympathetic Miranda. The overall show felt a bit manufactured and lacking in substance—though this may be more of a reflection on the source material than the production itself.

While The Devil Wears Prada musical doesn’t fully deliver, the stunning visuals and standout performances make this a glamorously entertaining night out!

The Devil Wears Prada is currently playing at The Dominion Theatre until October 2025