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REVIEW: Cinderella – Richmond Theatre

🎭 Cinderella
📍 Richmond Theatre
🎟️ Gifted
⭐⭐⭐⭐

Richmond Theatre’s annual panto has arrived, and it’s absolutely marvellous! I was invited to a fun & festive performance of Cinderella, featuring a stellar cast – Charlie Stemp, Helen George, and TV icon, Basil Brush! I’ve heard wonderful things about the pantomimes at Richmond Theatre & this did not disappoint.

Directed by Gary Wilmont, this entertaining production re-imagines the classic tale of Cinderella, with notable characters and more. With all the traditional panto ingredients, this proves to be a delightfully charming show! The show feels extra festive, with all the sparkles, atmospheric lighting and wonderfully Christmassy numbers.

Photo by Ian Olsson

Helen George is enchanting as the Fairy Godmother, arriving on stage in a burst of pyrotechnics. Her vocals are stunning, especially when she shows off her operatic range. George’s comic delivery was another highlight, and we enjoyed all the ‘Call the Midwife’ jokes throughout.

Photo by Ian Olsson

Tom Major makes a fantastic Prince Charming and has a beautiful voice, while Hope Dawe is an excellent Cinderella; she has a warm, Disney-like presence and brings a fun spirit to the show. There’s a playful love triangle between Prince Charming, Cinderella, and her friend, Buttons. They literally fight for Cinderella’s affection, in a comical musical number involving physical comedy and tumbles off a wall.

Charlie Stemp impresses as Buttons and proves himself to be a pantomime legend! Stemp lights up the stage with his charisma, charm, terrible jokes and impeccable comedic timing. He has the audience in the palm of his hand, as we cheer for and even ‘awww’ for him.

Photo by Ian Olsson

Though there are no traditional panto dames, the wicked stepsisters, Verucca & Hernia Hardup (played brilliantly by Jak Allen-Anderson and Stephen Guarino) certainly make up for it. They are a hilarious duo, strutting around in the most dazzling, flamboyant costumes (the stripy pink number was a personal fave!). As the sisters proclaim, “Don’t we look gorgeous?!”, the audience erupts with boos, although I couldn’t help but cheer. Allen-Anderson and Guarino were over-the-top, silly and had excellent comedy and ad-libs. Their remixed ABBA routine as they try to squeeze into Cinderella’s glittery heels was one of my highlights.

Photo by Ian Olsson

Celebrating over 60 years on TV, the legendary Basil Brush makes a booming entrance as Baron Basil. His witty jokes, physical comedy, and a tongue-twister segment had the audience laughing out loud. Having watched Basil Brush as a child, I found his appearance so nostalgic, and judging by the reactions around me, I wasn’t the only one.

Photo by Ian Olsson

Stephen Mear’s choreography is captivating throughout. The ensemble shines as they perform slick, high-energy routines, including one in polar bear outfits! Musical theatre stars Michael Lin (playing Dandini) and Charlie Stemp star in a hilarious dance off. Lin displayed real technical flair and a variety of dance styles, while Stemp opted for classic school disco dances from the Macarena to the Ketchup Song. Lin and Stemp perform a quick but impressive dance duet, which made me want even more!

Photo by Ian Olsson

I had hoped for a little more audience interaction, like with most pantos, but overall, the fabulous cast ensures we are thoroughly entertained! There were plenty of laughs for all the classic Panto sketches and even the references to local spots (Putney!!).

From lively dance numbers, dazzling costumes, a vibrant set design, and all the slapstick chaos you could imagine – this Cinderella is a brilliant panto for all ages! It’s playing at Richmond Theatre until 4 January.

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REVIEW: Cinderella – Brixton House Theatre

🎭Cinderella
📍Brixton House
🎟️ PR invite
⭐⭐⭐

Brixton House welcomes audiences to a reimagined Cinderella tale with a local twist by Danusia Samal!

The story

We meet Sindi-Ella (Yanexi Enriquez) a teenager who resides above a greengrocers her late father owned. Sindi is determined to keep the family business afloat – so determined she even grows various vegetables, fruit and plants in her room! Living with her bougie step-mum and step-sister, Sindi finds solace in conversations with her reliable ‘Delphy’ (Delphinium) plant and wonders how she can keep the business running amidst all the constant changes happening in Brixton…

One of those changes happens to be Charmz; a popular influencer and CEO of Flip Flop, a social media platform for teens, who aspires to buy out all local shops on Brixton Lane and build a ‘mega mall’. When Sindi meets Charmz, the pair have an undeniable connection and he invites her to his party…which happens to be on the same day as her greengrocers ‘rebrand’ event. With turmoil unfolding at home, can Sindi make the party? Perhaps her faithful houseplants can assist…

Photo by Alex Brenner.

My thoughts

Set against a backdrop of lively beats and directed by Ola Ince, this Cinderella retelling is a unique adaption, that explores strong themes such as gentrification, family dynamics and loss. As a South Londoner, I enjoyed the authentic representation of Brixton during this production.

Amelia Jane Hankin’s set design impresses, with eye-catching elements that were split across two levels. It was a great depiction of a green grocers as well the Brixton Lane logo which was suspended above. Anna Watson’s lighting worked wonderfully to enhance that transformative ‘Cinderella’ moment towards the end of Act 1. It did feel quite magical, and I had hoped for more moments like this throughout.

Duramaney Kamara’s music shines throughout, with a brilliant mix of catchy garage-inspired songs, along with rap, pop, and reggae. Enriquez had such star quality; they delivered a strong performance and showed off beautiful vocals. Alex Thomas-Smith’s was captivating as Charmz, from the moment they entered the stage. They were quite literally shining, with a ring light propped behind them during all the ‘Flip Flop’ announcements. Like their characters, Enriquez and Thomas Smith showcased sweet, authentic chemistry, and I loved their songs (and choreography!) together. 

Photo by Alex Brenner.

Ray Emmett Brown played Delphy, the charismatic delphinium plant who also happened to be Sindi’s father. They provided us with laughter and I especially liked how he balanced the humorous moments with sensitive scenes later in the show. The cast is completed with Julene Robinson, who multi roles as Sindi’s step mum and a school friend. Step sister, Tia is played by Jesse Bateson who delivers great comedy as the influencer longing for West London – with a running joke that is her constantly insulting South London (ouch!).  

While the cast maintained high spirits, I couldn’t help but feel the pacing was slower than expected, and some jokes fell flat. The show deviates from a traditional pantomime to the point where I wouldn’t quite define this as a panto. I wondered how the show would be received by younger audience members as I felt there was too much going on with the storyline and it became confusing. I felt the ‘fun’ factor fizzled out in Act 2. As I mentioned earlier, it would have been nice to have more lively, magical moments, something I associate with the original Cinderella. On the day I saw the show, there wasn’t much audience participation, and even when prompted, not many of the audience knew how to respond… 

Photo by Alex Brenner.

Despite this, I applaud this production for having a different take on Cinderella, with the inclusion of resonating themes such as navigating loss, the impact of gentrification and family dynamics. Samal’s writing sensitively explores all of this. With poignant scenes between the characters, fun, catchy selection of songs and an empowering ending, allowing for a happily ever after. 

Cinderella is playing at Brixton House until 31st December 2023.