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REVIEW: NewsRevue – Canal Cafe Theatre

 šŸŽ­ NewsRevue
šŸ“ Canal Cafe Theatre
šŸŽŸļø Gifted
ā­ļøā­ļøā­ļøā­ļøā­ļø

Last week, I was invited to watch NewsRevue, one of the longest-running live comedy shows. It’s been on for 45 years, and this was my first visit!

The fast-paced show features a selection of sketches and parody songs, all revolving around current affairs. Under the fun and slick direction of Mo Bangura, this talented & enthusiastic cast of four – Badrika Baluch, Alexander Christofi, Karishma Friers & Nico Koch – were absolutely brilliant. They delivered an endless amount of energy, quick wit and wonderful chemistry. It felt like we were watching seasoned comedy performers. Imagine my surprise to learn some of them are recent graduates!!

The show mainly focuses on satire; most jokes may require you to be up to date with the news, chronically online or a reality TV watcher like myself (spot on Love Island sketches btw!), the show can still be enjoyed by everyone. I have to say the political gags land perfectly. They were sharp and tongue in cheek; some jokes sway so close to the truth, that you’ll laugh and nod in recognition. The jokes are plenty, and so fast you may even miss them. There was a scarily accurate Trump impression and a wonderfully weird (and cheeky) interpretation of Paddington Bear, which left us giggling.

Along with their fantastic comedy skills, the musical numbers really stood out to me. Accompanied by musical director Rohan Godfrey, the cast impresses with their strong vocals and comedic timing. I enjoyed this element of the show, especially for its creativity. Corbyn singing about his new party, a parody about doomscrolling, performed to Justin Timberlake’s What Goes Around (whose idea was it to get the ukulele out ). And my absolute highlight? The Hamilton medley! I was already won over, but that medley may be the reason I return to this incredible show.

What makes NewsRevue so unique is that the material is updated every week, with new sketches and jokes, about whatever’s happening in the world. Bangura’s direction makes great use of the small stage, with slick transitions and minimal props. From start to finish, I was locked in – so much so that when the show ended, I turned to the people next to me and asked, ā€œIs there a second act?ā€ I truly wished it had gone on for another hour!

I don’t tend to talk about the venues in my reviews, but I’d love to mention how charming the Canal Cafe Theatre was. Opposite Little Venice, the theatre and pub downstairs, was very cosy and welcoming. Friendly staff, great vibes, and I felt so comfortable attending as a solo audience member.

It was refreshing to see such a diverse cast and creative team, bringing their talents to such a renwnwed comedy show. Karishma, Nico, Badrika and Alexander were not only hilarious individually but together, had fantastic chemistry. I’m proud to have seen them for my first NewsRevue visit, and it won’t be the last!

The amazing thing is that the show is updated every week, with new sketches and jokes. If you fancy an evening of laughter, with sharp comedy and a fun cast, check out NewsRevue!
It’s playing at Canal Cafe Theatre until 30 August.

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REVIEW: Kim’s Convenience – Park Theatre

šŸŽ­ Kim’s Convenience
šŸ“Park Theatre
šŸŽŸļø PR invite
⭐⭐⭐⭐

“There’s humour and heart in every aisle”

The story

Written by Ins Choi, Kim’s Convenience revolves around Korean-Canadian family, The Kims, who run a convenience store in Toronto. Based on Choi’s experiences growing up, the play offers a hilarious yet heartwarming insight into the experiences of immigrant families navigating life in a new country.

Choi plays the lead role, Appa, the stubborn and often blunt patriarch of the family. When Mr Lee informs Appa on the recent regeneration in the area, Lee suggests Appa sells the store. The conversation prompts Appa to talk to his photographer daughter, Janet, about taking over the family store, despite her lack of interest. The play also touches upon the strained relationship between Appa and estranged son, Jung. At just 80 minutes long, Kim’s Convenience highlights the struggles when bridging generational and cultural gaps. The show focuses on family dynamics, with the characters partaking in intense discussions about their hopes and dreams, further highlighting the cultural differences within the Kim family.

Photo by Marc Douet

My thoughts

Upon arrival at the Park200, it’s Mona Camille’s striking set design that instantly catches our eyes. The vibrancy and fantastic attention to detail provide a familiarity with all the local convenience stores we’ve entered.  In later scenes, Jonathan Chan’s soft lighting transports us to another significant place for the family, with religious symbols dimly lit in the background. 

Esther Jun’s direction strikes a good balance between the humorous and serious scenes. This allows the audience to fully understand the characters and see a vulnerable side to them, beneath their wit and humour. The second half showcases sincere moments between the family members, revealing their true dreams and hopes for one another. 

Photo by Marc Douet

There are strong performances from the cast of five – Janet (Jennifer Kim), Jung (Brian Law), Alex (performed by Miles Mitchell who does some impressive multi-role playing!) and Umma, played by Namju Go. Umma quietly graced the stage and only spoke to Appa in Korean. I would have loved to have seen more of Umma on stage and further exploration into her character. Particularly as we saw she had a stronger relationship with their son, Jung. Ins Choi completes the cast, playing Appa, with a fantastic stage presence and hilarious comic delivery.

As the play goes on, it was nice to see Appa’s stoic exterior melt away, albeit briefly, during conversations with his children. Choi’s characterisation of Appa shows he is a hard-working father with a big heart. There is a flashback scene that is succinct but significant enough to reveal Appa and Umma’s sacrifices when they first moved to Canada. Choi’s writing skilfully acknowledges the challenges of adjusting to new ways of life and values. As a child of immigrant parents, these scenes felt incredibly relatable! 

Photo by Marc Douet

 First staged at the Toronto Fringe Festival in 2011, this play won many plaudits for its East Asian representation and went on to become adapted into a successful five-season TV series. Described as a love letter to first-generation immigrant parents, Kim’s Convenience is a joy to watch. I am always glad to see authentic representation on theatre stages. The show is embedded with Korean culture, packed with hilarity, and makes a heartwarming family story. 

Kim’s Convenience is playing at Park Theatre until Saturday 10 February 2024. You can buy tickets here 

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Love’s A Beach – Drayton Arms Theatre

šŸŽ­ Love’s A Beach
šŸ“ Drayton Arms Theatre
šŸŽ« PR invite
⭐⭐⭐⭐

Katie Sayer and Will Johnston’s hilarious comedy play unveils the life of influencers and the impact of wanting to be social media famous!

The story

Ben and Cyrus (played by Iain Ferrier and James Akka) are runners-up in a popular reality TV dating show. Months after leaving the villa, the couple finds themselves drained by the sponsored content they participate in, trying to increase their social following. Promoting lawnmowers and adult ā€˜Happy Nappies’ was not on their bucket lists! While Ben seems content with returning to his old life and using his platform to raise awareness of the environment, Cyrus wants to do whatever it takes to alleviate his fame and reach his dream of having 1 million Instagram followers. 

Cyrus and Ben receive a luxurious million-pound influencing deal in Dubai to promote a new hotel chain. Ben is hesitant and reminds Cyrus of the UAE laws when it comes to being LGBTQ+ and the dangers they face. However, Cyrus doesn’t think of morals, focussing only on money and his follower count. 

My thoughts

Akka and Ferrier displayed the most hilarious comedic timing that had the audience laughing out loud right from the start. The actors’ palpable chemistry created an authentic performance. Akka brilliantly plays Cyrus, the self-centred, social media fanatic. Ferrier’s Ben is patient, practical and tries to bring his boyfriend back down to earth. The writing is witty, fast-paced and packed with several jokes and references that were delivered perfectly by the cast. 

I appreciated the writing having a balance of comedy and seriousness, especially as we saw a glimpse of vulnerability from Cyrus. The topic of gay rights in UAE is brought up when we learn of the couple’s invitation to Dubai. I was expecting just a bit more on this, considering Cyrus’ decision to stay in the country.

While the script pokes fun at influencer marketing (Ben attending an 8 am opening of ā€˜Pets At Home’ had me creasing!), ā€˜Love’s A Beach’ also highlights the incessant media reporting and pressures of being in the spotlight. In a series of sound bites, we hear a chorus of tabloid headlines and talk panels, discussing influencers, consumerism, and fake gossip about Cyrus’ haemorrhoids!

Even with a minimal set design and the occasional props, Phoebe Barrett’s direction keeps us fully engaged, with the actors utilising the entire stage. I enjoyed watching the duo reenact their text messages; Akka particularly caught my attention with their humorous facial expressions.

With slick direction, a satirical script and brilliant acting from the cast, ā€˜Love’s A Beach’ is a great piece of comedy theatre, that is incredibly relevant to our current digital climate. I’d love to see where this show goes next!

Love’s A Beach‘ is playing at Drayton Arms Theatre until 29 April 2023. You can buy tickets here!

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Clementine – VAULT Festival

šŸŽ­ Clementine
šŸ“ VAULT Festival – Network Theatre
šŸŽ« PR invite
⭐⭐⭐⭐⭐

As I walked into Network Theatre for ā€˜Clementine’, Lady Gaga’s banger, Judas, played – a strong sign that I was going to love this show!

The story

Written and performed by Rosalie Minnitt, ā€˜Clementine’ is a one-woman musical comedy about a young woman’s quest to find love. The time period of the show isn’t defined, but it takes place ā€˜in the past’ (The costumes were giving Bridgerton vibes!) 

We meet Lady Clementine (Minnitt), a single 26-year-old, desperate to find the love of her life. Lady Clementine fears if she isn’t married before her birthday, she will end up like her spinster Aunt Lauren. We learn all about Lady Clementine’s previous partners, including one who lost his head and the latest beau who has gone missing. We follow her on a hilarious, eccentric, musical journey to solve the mystery of her ill fortune with love. But perhaps she has been searching for it in all the wrong places…

My thoughts

Described as ā€˜Gen Z’s ode to womanhood’, Minnitt has created a funny, feel-good show, packed with cultural references that fitted perfectly with the story. Enthusiastic direction from Tristan Robinson and Alison Middleton resulted in nonstop laughter during the performance. Lady Clementine pranced, paraded and even spouted water across the stage.

Minnitt maintained such high energy and portrayed various supporting characters including her unfortunate housekeeper, Jackie and the guardian angel flemish DJ. The show was certainly interactive, with willing members of the audience reading letters and even participating in onstage raves. Minnitt is a fantastic performer and a talented comedy writer. I loved how skillfully they bounced off the audience and held our attention for the entire show. Even in the moments when Lady Clementine was offstage, the video projections added the funniest context to the story. The constant puns paired with Minnett’s impeccable comic timing made this show a total delight.

Honor Halford-MacLeod incorporated several musical melodies during the show. We even got an interpretive dance to Beyonce’s Alien Superstar. And who doesn’t love a mid-show ballad? As the audience waved their flameless candles that were placed on the seats, Lady Clementine serenaded us with ā€˜Guide Me, Stars’ – a song I personally think should be on Spotify.


Amongst the hilarity, the show ends with an empowering high, leaving us happy for Lady Clementine and her newfound (self) love. The hour went by quickly and I was left grinning from what we just watched. Clementine is so much fun – it’s lively, it’s quirky and certainly empowering!

Rosalie Minnett is a comedy star in the making and I can’t wait for what they do next!

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The Lavender Hill Mob – Richmond Theatre

šŸŽ­ The Lavender Hill Mob
šŸ“ Richmond Theatre
šŸŽ« PR invite
⭐⭐⭐⭐

Coined as one of the ā€˜greatest British comedy films’, The Lavender Hill Mob headed to Richmond Theatre for an all-new stage adaption.

Olivier-nominated playwright Phil Porter adapted the Ealing comedy classic, alongside Tony and Olivier-nominated director, Jeremy Sams.

The funny, fast-paced comedy tells the story of Henry Holland, an ordinary bank clerk who dreams of stealing the van of gold bullion he drives daily across London. Upon discovering that his new lodger is making Eiffel Tower paperweights out of lead, Henry devises a plan to make his dream a reality. It’s a golden opportunity for a crime of the century!

The show begins at a New Year’s Eve party in Rio, as party guests and staff prepare for the countdown. The guests are paid a visit from Farrow (Guy Burgess) a ā€˜film director’ and relish the opportunity to re-enact the infamous ā€˜Lavender Hill Heist’ for him.

Actor and comedian, Miles Jupp and Justin Edwards play Henry Holland and Pendlebury, the unsuspecting criminal duo. With Pendlebury’s skills in moulding Eiffel Tower and a comical ā€˜gang recruitment’, Holland’s plan to steal the gold is underway. Though the characters remain in Rio, their storytelling transports us to 1950s London, Dover, and parts of France.

Photo by Hugo Glendinning

The rest of the multitalented cast (Tessa Churchard, John Dougall, Victoria Blunt, Tim Sutton, and Aamira Challenger) were onstage for the entirety of the play, switching between various characters. The play may be a chaotic heist, with the cast constantly sprinting around the stage, but the staging and direction were executed so well that their moves appeared seamless.

Mark Henderson, the recipient of multiple Oliver Awards, did some incredible work with the lighting design. For instance, the cascading orange lights whenever the gold bullion appeared were genius as were the timing of the lights during significant moments. I admired Francis O’Connor’s simple staging and the use of props to accompany the story. Silver trays as steering wheels and palm trees to replicate the Eiffel Tower.

Photo by Hugo Glendinning

There were a few inside jokes that I was not familiar with as I had not watched the film. Act two was stronger; the comedy picked up and we were introduced to further multi-roleplaying. From French taxi drivers to school children to police officers – and a lot more silver-tray steering wheeled car chases! As a result, the play became fast-paced yet we never lost track of the story. Jupps and Edwards perform well as our criminal double act. The whole cast has an amazing stage presence, each shining in their roles. I enjoyed the delivery of the jokes and puns, particularly Sir Horace (Dougall) who had such natural humour.

My favourite scene was the amusing pursuit across London. As our delinquent duo race across the capital, the supporting characters hilariously recreate moments in history and reference iconic landmarks – one reference had the audience howling from laughter. In addition, the video projection with a moving map of London was a nice touch.

Guy Burgess (Farrow) and Miles Jupp (Henry Holland)
Photo by Hugo Glendinning

This stage play was strong in its delivery and interpretation, bringing the story to life. With intricate details, from the way the lighting shone on the cast to how the music aligned with the animated steps – I loved it!

The Lavender Hill Mob is a fun comedy play suitable for all ages and even those who may not be familiar with the original film. The cast performs flawlessly, with great comedic timing and a ton of puns!  

You can catch this play at Richmond Theatre until Saturday 19th November before it continues its tour! Tickets are available here.