Tag: richmond theatre

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REVIEW: Cinderella – Richmond Theatre

🎭 Cinderella
📍 Richmond Theatre
đŸŽŸïž Gifted
⭐⭐⭐⭐

Richmond Theatre’s annual panto has arrived, and it’s absolutely marvellous! I was invited to a fun & festive performance of Cinderella, featuring a stellar cast – Charlie Stemp, Helen George, and TV icon, Basil Brush! I’ve heard wonderful things about the pantomimes at Richmond Theatre & this did not disappoint.

Directed by Gary Wilmont, this entertaining production re-imagines the classic tale of Cinderella, with notable characters and more. With all the traditional panto ingredients, this proves to be a delightfully charming show! The show feels extra festive, with all the sparkles, atmospheric lighting and wonderfully Christmassy numbers.

Photo by Ian Olsson

Helen George is enchanting as the Fairy Godmother, arriving on stage in a burst of pyrotechnics. Her vocals are stunning, especially when she shows off her operatic range. George’s comic delivery was another highlight, and we enjoyed all the ‘Call the Midwife’ jokes throughout.

Photo by Ian Olsson

Tom Major makes a fantastic Prince Charming and has a beautiful voice, while Hope Dawe is an excellent Cinderella; she has a warm, Disney-like presence and brings a fun spirit to the show. There’s a playful love triangle between Prince Charming, Cinderella, and her friend, Buttons. They literally fight for Cinderella’s affection, in a comical musical number involving physical comedy and tumbles off a wall.

Charlie Stemp impresses as Buttons and proves himself to be a pantomime legend! Stemp lights up the stage with his charisma, charm, terrible jokes and impeccable comedic timing. He has the audience in the palm of his hand, as we cheer for and even ‘awww’ for him.

Photo by Ian Olsson

Though there are no traditional panto dames, the wicked stepsisters, Verucca & Hernia Hardup (played brilliantly by Jak Allen-Anderson and Stephen Guarino) certainly make up for it. They are a hilarious duo, strutting around in the most dazzling, flamboyant costumes (the stripy pink number was a personal fave!). As the sisters proclaim, “Don’t we look gorgeous?!”, the audience erupts with boos, although I couldn’t help but cheer. Allen-Anderson and Guarino were over-the-top, silly and had excellent comedy and ad-libs. Their remixed ABBA routine as they try to squeeze into Cinderella’s glittery heels was one of my highlights.

Photo by Ian Olsson

Celebrating over 60 years on TV, the legendary Basil Brush makes a booming entrance as Baron Basil. His witty jokes, physical comedy, and a tongue-twister segment had the audience laughing out loud. Having watched Basil Brush as a child, I found his appearance so nostalgic, and judging by the reactions around me, I wasn’t the only one.

Photo by Ian Olsson

Stephen Mear’s choreography is captivating throughout. The ensemble shines as they perform slick, high-energy routines, including one in polar bear outfits! Musical theatre stars Michael Lin (playing Dandini) and Charlie Stemp star in a hilarious dance off. Lin displayed real technical flair and a variety of dance styles, while Stemp opted for classic school disco dances from the Macarena to the Ketchup Song. Lin and Stemp perform a quick but impressive dance duet, which made me want even more!

Photo by Ian Olsson

I had hoped for a little more audience interaction, like with most pantos, but overall, the fabulous cast ensures we are thoroughly entertained! There were plenty of laughs for all the classic Panto sketches and even the references to local spots (Putney!!).

From lively dance numbers, dazzling costumes, a vibrant set design, and all the slapstick chaos you could imagine – this Cinderella is a brilliant panto for all ages! It’s playing at Richmond Theatre until 4 January.

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REVIEW: Carlos Acosta’s Nutcracker in Havana

🎭 Carlos Acosta’s Nutcracker in Havana
📍Richmond Theatre
đŸŽŸïž Gifted
⭐⭐⭐⭐

Carlos Acosta, renowned ballet choreographer, dancer and director, brings a fresh, fun and dynamic take on the festive classic, with a Cuban twist!

Nutcracker in Havana is a vibrant, exciting reimagining of Tchaikovsky’s ballet. The Cuban-born star has crafted a show, infused with lively Latin rhythms & dance styles, colourful costumes and Cuban culture. I wasn’t too familiar with The Nutcracker story, but this was a beautiful way to be introduced to it!

Photo by Johan Persson

It’s Christmas Eve in Havana, where we step into Clara’s modest home, where beer cans decorate the tree, and the season’s warmth matches the tropical heat.

When Clara receives a Nutcracker doll, she is whisked away on an extraordinary adventure to defeat the fearsome Mouse King and travel to the magical realm of the Sugar Plum Fairy, guided by her Nutcracker Prince.

Featuring brand-new choreography by Acosta himself, this dazzling production is performed by over 20 dancers from his acclaimed Cuban company, Acosta Danza. The storytelling was sublime! Act 1 sees Clara’s entire family take part in joyous celebrations, as they play, laugh and dance together. Nina Dunn’s video projections take us through the bustling Havana streets while the physical staging transforms from the family home to a grand mansion. Andrew Exeter’s atmospheric lighting add to the enchanting journey we are taken on.

Photo by Johan Persson

Tchaikovsky’s iconic score has been newly arranged by composer Pepe Gavilondo Peon. I enjoyed hearing the influences from the music of Havana including Guaracha and Conga rhythms and beats. The choreography also features notable Latin dance styles like Salsa, which I adored.

Another significant change is that the Nutcracker doll is now a Cuban soldier, also known as Mambi. Dressed in traditional clothing, we loved watching the dance sequences between the mambises and the Mouse King.  Act 2 is a delight as we arrive at the Land of the Sweets. The production still includes the classic moves as well as exciting additions. There are impressive acrobatics, a flamenco-inspired routine and the ever so graceful Waltz of Flowers. The costumes were impeccable – bright, colourful and covered with the most intricate details. We also marvel at the Sugar Plum Fairy’s pas de deux, performed beautifully by Lauretta Summerscales.

Photo by Johan Persson

The performances were magnificent – Clara (Laura Rodriguez) had the most youthful and energetic presence, while Raul Reinoso gave a striking rendition of the Russian Dance. I’m not a regular ballet-goer, so I did find myself preferring the Latin dance styles more than the traditional choreography. Nonetheless, I admired this production, and the unique elements Carlos Acosta brought to a classic show, all while paying homage to his Cuban heritage—it was beautiful to see.

Nutcracker in Havana is a charming, joyful and wonderful festive show for all! It’s currently on a UK tour and heading to Southbank Centre in December. Find out more here.

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REVIEW: Murder on the Orient Express – Richmond Theatre

🎭 Murder on the Orient Express 
📍Richmond Theatre
đŸŽŸïžGifted
⭐⭐⭐⭐

Agatha Christie’s classic crime story has arrived at Richmond Theatre, in Ken Ludwig’s stage adaptation. We are taken on a thrilling ride, brimming with suspense, in this murder mystery which keeps you guessing until the very end.

The story takes place on the luxurious Orient Express, where Detective Hercule Poirot must solve the murder of a passenger. With the train stalled by a snowdrift and all suspects trapped together, Poirot delves into each character’s secrets to unravel the truth.

The eerie atmosphere is heightened by the sinister sound & video design, that keeps tensions high. I loved the revolving set that offered glimpses into the character’s motives and provided much intrigue. The costumes perfectly embodied the 1930s glamour, while the train set design was visually striking! The scene transitions felt clunky and distracting at times, however, I still appreciated seeing the variety of locations.

Photo by Manuel Harlan

Michael Maloney delivers a fantastic performance as Poirot, balancing tension and wit. I most enjoyed how much emotion was displayed in Act 2. Maloney gives a riveting speech that leaves us on the edge of our seats. My other standouts included Helen Hubbard (Christine Kavanagh) whose comedic flair & interactions with Princess Dragomiroff (Debbie Chazen), were a highlight. Bob Barrett’s Monseir Bouc added lightness to the tense moments with his exuberant eagerness to solve the mystery! 

This production of Murder on the Orient Express delivers the most engaging experience and is a must-see for mystery lovers. It’s playing at Richmond Theatre, before continuing its U.K. tour!

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REVIEW: The Woman in Black – Richmond Theatre

🎭 The Woman in Black
📍Richmond Theatre
đŸŽŸïž PR invite
⭐⭐⭐

For over 33 years, The Woman in Black has captivated audiences and now embarks on a UK tour, heading to Richmond Theatre for a spooky evening of theatre!

The story

The Woman in Black has been adapted by Stephen Mallatratt from Susan Hill’s best-selling novel. The play follows the story of Arthur Kipps (Malcom James), a solicitor who becomes obsessed with a curse he believes has been cast upon his family by the spectral figure of the ‘Woman in Black.’ Arthur has drafted a manuscript of his story, and seeks help from an Actor (Mark Hawkins). Together, they perform the play, delving deeper into Arthur’s memories. As the story goes on, we watch as the lines between reality and make-believe begin to blur


Photo by Marc Douet

My thoughts

Malcolm James and Mark Hawkins delivered strong, engaging performances throughout the two-hander play.  The duo’s flawless execution of multi-roleplaying showcased their theatrical prowess, and I enjoyed seeing the range of emotions displayed by the characters. Hawkins, in the role of The Actor, was convincing during the tense scenes, showcasing such authentic emotion and terror. Similarly, James delivered a great performance, particularly in Act 2, where we witness a more fearful and desperate Arthur Kripps. 

Photo by Marc Douet

Michael Holt’s set design was straightforward, with minimal props and mostly antique furniture that established the time era. I liked the use of the long white sheets as the backdrop, eventually unveiling other parts of the mysterious house. These simple design choices certainly created a haunting experience. Kevin Sleep’s warm vintage orange lighting added a nostalgic ambiance and played a crucial role in the scene transitions. I found this helpful as it allowed us to follow the character’s performances and distinguish the change in characters. The subtle yet impactful shadow work also enhanced the mysterious atmosphere. 

Despite the commendable performances, some of the dialogue went unheard due to a lack of microphones (and the audience’s screams!). Act 1 had a cohesive narrative, whereas, by Act 2, the plot became confusing and relied on some predictable jumpscares. While I enjoyed the eerie and unexpected appearances from the ‘Woman in Black’, I found the pacing too slow, impacting my anticipated level of fear. 

Photo by Marc Douet

While the scare factor seemed underwhelming, The Woman in Black excels in its strong performances and atmospheric setting.  It manages to engage audiences and feels like the ideal theatre show for these dark, winter evenings.

The Woman in Black plays at Richmond Theatre until Saturday 18 November 2023, before continuing its U.K. tour!

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Around The World in 80 Days – Richmond Theatre

🎭 Around The World in 80 Days
📍 Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐⭐

Jules Verve’s famous novel ‘Around The World in 80 Days’ has been transformed into a new, vibrant theatrical adaption, directed by Juliet Forster. The Tilted Wig production is a delightful, fun, colourful show, that would make the perfect family evening out!

The story

The story begins with a group of travelling performers, who embark on their most daring venture yet: recreating the adventures of Phileas Fogg. Phileas Fogg of London (Alex Phelps) attempts to travel the world in 80 days, on a wager of ÂŁ20,000, a bet set by his snobby companions at the Reform Club. Phileas and his newly employed French valet, Passepartout (Wilson Benedito), set out on a race around the world. The 1873 novel is retold with a mix of adventure, comedy and a touch of history that I hadn’t known!

The show does not only focus on Phileas Fogg’s journey; it intertwines fact and fiction, sharing the remarkable story of Nellie Bly, an American journalist known for her record-breaking trip around the world in 72 days. This adaption brings to life the original novel in an exciting and engaging way!

Photo by Anthony Robling

My thoughts

This production is lighthearted, silly at times and has a modern take on Jules Verve’s story. Sara Perks’ stage design is visually stunning, with bright primary colours that emulate a circus atmosphere. I noticed the cast’s microphones weren’t as loud as we would have expected. Some moments also could have benefitted from a bit of background music to add emphasis to the scenes. The pacing felt slow in Act One, but this soon picked up, particularly as we saw more slapstick comedy scenes – including a lengthy circus act that involved tiny bicycles, hula hoops and whips!?

The strong cast of five is completed with Genevieve Sabherwal, Eddie Mann and Katriona Brown, who showcase their talent through energetic multi-roleplaying. I enjoyed Brown’s performance as Nellie Bly; having her story alongside Phileas Fogg’s added a modern, feminist approach to the story. I wanted to snap my fingers in solidarity when Bly exclaimed; “I said I could, and I would. And I did.” Additionally, I really liked how the characters took moments out of the retelling to challenge the traditional text and call out historical inaccuracies and culturally insensitive terms.

Photo by Anthony Robling


Eddie Mann gave a standout performance in the role of Detective Fix. The actor commanded the stage with their impeccable comedic timing, and I found myself laughing out loud numerous times. Mann worked brilliantly alongside Benedito, who also did a great job with the comedy, shown through the moments of audience participation and improv. The improvisation in the show was certainly one of the highlights, adding an element of surprise to the performance. The actors also break the fourth wall, further allowing the audience to become a part of the show. These interactive elements kept us engaged and entertained throughout.

Another standout was the movement direction by Asha Jennings-Grant, which was incredibly inventive The cast was slick with their moves, the scene changes and utilised each and every prop to demonstrate this raucous journey across the globe.

Photo by Anthony Robling

With a unique take on a classic story, a talented cast, and great comedic moments, this production of ‘Around The World in 80 Days’ is sure to be a hit with audiences of all ages.

‘Around The World in 80 Days’ plays at Richmond Theatre until Saturday 20 May 2023!

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Wish You Were Dead – Richmond Theatre

🎭 Wish You Were Dead
📍 Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐

Peter James’ best-selling novel, ‘Wish You Were Dead’ returns to the stage with a thrilling production and star-studded cast.

The story

Detective Superintendent Roy Grace and his wife, Cleo (George Rainsford and Giovanna Fletcher), head to France with their newborn son, for their first holiday together. Cleo hopes the holiday will finally be a chance for her and Roy to spend quality time, without the interruption of his demanding, crime-solving job. They are joined by Kaitlynn (Gemma Stroyan), the fiancee of Roy’s colleague Jack, who agrees to babysit Noah. 

As they arrive at their French chateau, which resembles more of a haunted house, the guests notice a strange atmosphere and suspicions arise. From flickering lights to no mobile signal to a knight in shining armour (yes, really). The sarcastic host, Madam L’Eveque (Rebecca McKinnis) appears to greet the guests, but her demeanour sparks even more doubt about their stay.

DS Roy and Cleo’s dream holiday quickly turns into a nightmare, as a dark past comes back to haunt them.

My thoughts

My first impressions were of Matthew Holt’s intricately designed set, which featured a split-level stage of the living room and bedroom. I loved the clever use of gauze that revealed the secret room, adding to the mystery. The stuffed animal heads and an obnoxiously large painting of The Crucifixion added to the haunting atmosphere and led up to what the show was going to entail.

The sinister music throughout the play certainly added to the suspense, as did the bursts of thunder and lightning however, these were played too loud and were not always necessary. 

Although it was revealed quickly, the twist was good. It made an appropriate ending to the first act, however, I couldn’t help but feel it veered into a farce – the audience’s laughter didn’t help either. Once we discovered the villains’ motivations, the second act featured several witty back-and-forth dialogues between the characters. Despite the brandishing of weapons, there was still a lack of tension and just an overall threat to the guests.

Clive Mantle’s villainous role as Curtis provided humour, with some comical lines/delivery. Whether this was intentional, I enjoyed their portrayal as the bitter, grief-stricken father, seeking revenge. Rainsford and Fletcher are convincing as a couple, and I enjoyed Rainsford’s strong performance as the determined detective. They had me fully engaged, particularly during those final scenes. 

While ‘Wish You Were Dead’ did feature a predictable plot, I still enjoyed this crime-thriller and can see why Peter James’ stage adaptions have been a success!

‘Wish You Were Dead’ is playing at Richmond Theatre until Saturday 22 April 2023.

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Blood Brothers – Richmond Theatre

🎭 Blood Brothers
📍 Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐⭐

“How comes you got everything and I got nothing?”

Willy Russell’s award-winning musical, Blood Brothers heads to Richmond Theatre for an emotionally compelling production that explores family, fate and social class.

Directed by Bob Tomson and Bill Kenwright, the musical follows twins separated at birth, not knowing their relationship and leading very different lives. Russell has written a striking story, depicting nature vs nurture, class inequality and the impact this has on our lives.

This was my first time watching the production, which opened in 1983. I was eager to know more about the nation’s much-loved musical.

The story

Set in Liverpool during the 1950s, Mrs Johnstone (Niki Colwell Evans), a single, hard-working mother of 7 falls pregnant with twins and worries about the financial burden. Mrs Johnstone is approached by the rich, middle-class Mrs Jennifer Lyons (Paula Tappenden) who offers to take one of the twins and raise him as her own. Mrs Johnstone makes the heartbreaking decision and they both agree to never let the brothers know the truth.

The brothers meet when they are 7 years old, unbeknownst about their relationship, and quickly become best friends – or as they called each other, “blood brothers”. Their friendship quickly blossoms, despite the stark contrast in their lives.

Photo by Jack Merriman

Mickey (Sean Jones) youngest of seven siblings, grows up in a working-class area of Liverpool, while Eddy (Joe Sleight) is the only child of a wealthy family who lives nearby. As they grow older, their bond slowly fades. The brothers go down different trajectories and have opposing opportunities afforded to them.

My thoughts

The Narrator (Richard Munday) guides us through the story and shares a forewarning of the brothers’ fate. Munday’s intense stage presence and strong vocals paired perfectly with Nick Riching’s powerful lighting. A beautiful score plays throughout, although the music was a little too loud at times, which made it difficult to hear the lyrics. 

Jones and Sleight delivered fantastic performances; I was impressed with the range of emotions they showcased throughout the musical. Initially, I felt distracted by adults playing 7-year-olds, but I must commend the cast for their abilities to accurately portray the different life stages. Olivia Sloyan (who played childhood sweetheart, Linda), Jones and Sleight expertly captured the naivety and energetic playfulness among children. The ensemble also did brilliantly in their supporting roles, and I enjoyed how animated they were.

Photo by Jack Merriman

It was endearing to watch the two boys, whose parents tried so hard to keep them apart, become so close. The lighthearted humour balanced nicely against the more sinister and heart-rending second act. Mickey and Eddy’s social differences became more apparent as they grew older. From what they wore, to how authorities treated them, and their financial situations. 

Jones takes us on an emotional rollercoaster. He puts on a strong performance in the second act as we witness Mickey’s depression following his time in jail. It’s heartbreaking, especially as it appears Eddy has his life together. 

Photo by Jack Merriman

Evan’s flawless vocals and raw emotion in every scene made her a total standout in this musical. We smiled as she sang about her love for dancing and when the family were rehomed. We sympathised as she battled with debt collectors. The finale song ‘Tell Me It’s Not True’ was emotionally moving – I wasn’t surprised to hear a few sniffles from the audience.

Despite being written over 40 years ago, the story feels relevant in the present day as the UK faces economic hardship amidst the cost-of-living crisis. Blood Brothers is poignant, powerful and certainly a classic musical.

It’s playing at Richmond Theatre until 25 February 2023, before continuing its UK tour.

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Steel Magnolias – Richmond Theatre

🎭 Steel Magnolias
📍 Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐

Steel Magnolias revolves around a group of Southern women in Louisiana who regularly meet at the local hair and beauty salon run by Truvy (Lucy Speed). The play spans a few years, as we see the group laugh, cry, bicker, and, importantly, build meaningful friendships.

Written by Robert Harling, Steel Magnolias is based on Harling’s family tragedy and adapted into the 1989 film with an ensemble cast, including Dolly Parton and Julia Roberts.

The story

The first scene takes place on the day of Shelby’s wedding as all the women appear in the salon. Truvy introduces her new, eager assistant, Anelle (Elizabeth Ayodele) to the ladies. Shelby (Diana Vickers) is confident, cheeky and has a likeable aura about her and often disputes with her mother, M’Lynn (Laura Main). M’Lynn, who is quite the contrast, is overprotective and worrisome over her daughter’s choices – from wedding flowers to hairstyles. Completing the group is Clairee (Caroline Harker), former First Lady of Louisana and the incredibly witty, Ouiser (Harriet Thorpe).

We soon learn of Shelbie’s diabetic health condition, which risks her life as she desires to become a mother. The drama centres around this and the tragic events to come.

Photo credit: Pamela Raith

My thoughts

Steel Magnolias is a good representation of strength and the importance of being unified in tough circumstances. Directed by Anthony Banks, the first act did well to establish the varying personalities amongst the group. While I admired watching the bonds the characters formed, I couldn’t help but feel the play suffered some pacing issues. Act 1 felt drawn out, and almost as though nothing was happening. Once Ouiser entered the stage, their one-liners bought the much-needed humour and energy the show required.

The production takes place entirely in the salon; the set and costume design are quintessentially 80s, representing the era well. Laura Hopkins’ set includes neon signs, photos of Dolly Parton and a â€˜the higher the hair, the closer to God’ poster. Kulkari’s costume choices similarly showcased typical eighties attire. The characters have several outfit changes, between bright, bold mismatched prints and varying wigs with scrunchies.  

There were a couple of moments where lighting cues were missed, and I also noted that the Southern accents were not as strong as we would hope. Described as a comedy-drama, some jokes fell flat, while others I didn’t really understand. This could be a case of the script being written for its time and not as culturally relevant today. It would be interesting to see a total revival of this play mainly as the themes are key.

Photo credit: Pamela Raith

The cast worked well together, and their friendship appeared natural. Diana Vickers’ was a standout and gave an authentic performance in the role of Shelby. Lucy Speed was also wonderful as the kind-hearted, reassuring friend to them all, especially in Act 2.

I liked how the salon signified a safe space for the characters. We watched them experience love, laughter, and loss. It’s unfortunate circumstances, with the final scenes proving to be the most powerful. The tragedy brings the group closer, emphasising the true meaning of friendship.

Steel Magnolias is playing at Richmond Theatre until 28 January 2023, before continuing its tour.

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Nerubashenko Ballet presents Swan Lake

🎭 Swan Lake
📍Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐⭐

Nerubashenko Ballet’s production of Swan Lake glides its way to Richmond Theatre, for an enchanting evening.

Premiering in 1877, Swan Lake is considered one of the masterpieces of classical ballet. It has performed many productions and new choreography across the world, enjoyed by ballet lovers and newcomers. This was my first time watching ballet and I could definitely see why Swan Lake is hailed as one of the greatest.

The story

The classic tale follows Prince Siegfried, who falls in love with Odette, Queen of the Swans. Odette and the swans are under a spell by the evil magician, Rothbart. They spend their days gliding across the lake, only for their human form to be regained at night. Enthralled by Odette’s beauty, the Prince swears eternal love for her, and Odette believes his true love can save her and the other maidens from the spell.

When Prince Siegfried must choose a bride, the evil Rothbart tricks the Prince into declaring his love for Odile, the daughter of Rothbart, who bears a striking resemblance to Odette. Realising his mistake, Prince Siegfried begs for Odette’s forgiveness and fights against the evil magician until the spell is broken. The ballet has a fairytale ending, with Siegfried and Odette having their happily ever after.

Swan Lake is a love story, performed in three acts to the iconic Tchaikovsky. There is romance and sorcery, but no tragedy. I still enjoyed the story and watched with a ballet enthusiast who explained this production strayed from the traditional ending.

The production

The live orchestra was a standout, particularly the Harp solo, which had me captivated. Scores that were instantly recognisable and beautifully complemented the ballet. The company was perfectly poised, light on their feet, effortlessly gliding across the stage. I was most impressed with how brilliantly timed the dancers and orchestra were–it was fantastic!

Performed by a hand-picked company of international ballet artists, this production included various dance styles, which I was not expecting. In a colourful Palace celebration sequence, we watch an exuberant Spanish flamenco duet followed by an upbeat Russian folk dance. Act 2 was certainly more energetic, in both the story and performance. I noticed minor mishaps, which I assume were down to the smaller-scale staging. I imagine a larger stage would elevate the production even more. Still, the company did a great job at utilising the smaller space and did not let this deter the routines.


With no words, performers must rely on their movements and facial expressions to tell the story. I wished the Prince showed more emotion, particularly in Act 1 where he falls deeply in love with Odette. By comparison, the company was full of passion, especially the entourage of swans.

As the lead ballerina eloquently danced in her roles as Odette and Odile, personality shone on her face. Dressed in a gorgeous all-black outfit, Odile’s solo was impressive. It was seductive and confident, and I watched in awe at the number of fouette turns they did. I know we were supposed to root for Odette and Prince Siegfried, but Odile had us in a trance–no wonder Siegfried fell for it!

The dancer was expressive, showcasing a delicate, timid nature in the role of Odette when meeting with the Prince. She certainly embodied the movements of a swan as the duo immaculately danced across the stage.

With a talented company of dancers, beautiful, detailed costumes, and stunning choreography, I can see why Swan Lake is a masterpiece!

Nerubashenko Ballet presents Swan Lake will continue its UK tour throughout January 2023.

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The Lavender Hill Mob – Richmond Theatre

🎭 The Lavender Hill Mob
📍 Richmond Theatre
đŸŽ« PR invite
⭐⭐⭐⭐

Coined as one of the ‘greatest British comedy films’, The Lavender Hill Mob headed to Richmond Theatre for an all-new stage adaption.

Olivier-nominated playwright Phil Porter adapted the Ealing comedy classic, alongside Tony and Olivier-nominated director, Jeremy Sams.

The funny, fast-paced comedy tells the story of Henry Holland, an ordinary bank clerk who dreams of stealing the van of gold bullion he drives daily across London. Upon discovering that his new lodger is making Eiffel Tower paperweights out of lead, Henry devises a plan to make his dream a reality. It’s a golden opportunity for a crime of the century!

The show begins at a New Year’s Eve party in Rio, as party guests and staff prepare for the countdown. The guests are paid a visit from Farrow (Guy Burgess) a ‘film director’ and relish the opportunity to re-enact the infamous ‘Lavender Hill Heist’ for him.

Actor and comedian, Miles Jupp and Justin Edwards play Henry Holland and Pendlebury, the unsuspecting criminal duo. With Pendlebury’s skills in moulding Eiffel Tower and a comical ‘gang recruitment’, Holland’s plan to steal the gold is underway. Though the characters remain in Rio, their storytelling transports us to 1950s London, Dover, and parts of France.

Photo by Hugo Glendinning

The rest of the multitalented cast (Tessa Churchard, John Dougall, Victoria Blunt, Tim Sutton, and Aamira Challenger) were onstage for the entirety of the play, switching between various characters. The play may be a chaotic heist, with the cast constantly sprinting around the stage, but the staging and direction were executed so well that their moves appeared seamless.

Mark Henderson, the recipient of multiple Oliver Awards, did some incredible work with the lighting design. For instance, the cascading orange lights whenever the gold bullion appeared were genius as were the timing of the lights during significant moments. I admired Francis O’Connor’s simple staging and the use of props to accompany the story. Silver trays as steering wheels and palm trees to replicate the Eiffel Tower.

Photo by Hugo Glendinning

There were a few inside jokes that I was not familiar with as I had not watched the film. Act two was stronger; the comedy picked up and we were introduced to further multi-roleplaying. From French taxi drivers to school children to police officers – and a lot more silver-tray steering wheeled car chases! As a result, the play became fast-paced yet we never lost track of the story. Jupps and Edwards perform well as our criminal double act. The whole cast has an amazing stage presence, each shining in their roles. I enjoyed the delivery of the jokes and puns, particularly Sir Horace (Dougall) who had such natural humour.

My favourite scene was the amusing pursuit across London. As our delinquent duo race across the capital, the supporting characters hilariously recreate moments in history and reference iconic landmarks – one reference had the audience howling from laughter. In addition, the video projection with a moving map of London was a nice touch.

Guy Burgess (Farrow) and Miles Jupp (Henry Holland)
Photo by Hugo Glendinning

This stage play was strong in its delivery and interpretation, bringing the story to life. With intricate details, from the way the lighting shone on the cast to how the music aligned with the animated steps – I loved it!

The Lavender Hill Mob is a fun comedy play suitable for all ages and even those who may not be familiar with the original film. The cast performs flawlessly, with great comedic timing and a ton of puns!  

You can catch this play at Richmond Theatre until Saturday 19th November before it continues its tour! Tickets are available here.